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1-5 of 5
Title
The Bibliographical Decameron: or, Ten Days Pleasant Discourse upon Illuminated Manuscripts, and Subjects Connected with Early Engraving, Typography, and Bibliography Volume 1
Creator
Dibdin, Thomas Frognall, 1776-1847
Title
The Bibliographical Decameron: or, Ten Days Pleasant Discourse upon Illuminated Manuscripts, and Subjects Connected with Early Engraving, Typography, and Bibliography, Volume 3
Creator
Dibdin, Thomas Frognall, 1776-1847
Title
Biblia sacra Latina, versio vulgata: fragment
Summary
[Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics., This translation of the Bible was made by Jerome at the request of Pope Damasus. It was begun in the year 382 A.D. and finished 16 years later. For his great scholarship more than for his eminent sanctity, Jerome was later made a saint. This version of the Bible was his most important work. The angular book hand, executed with amazing skill and precision, reflects the spirit of contemporary architecture of the early 13th century. Closely spaced perpendicular strokes and angular terminals have supplanted the open and round character of the preceding century. It is a beautiful book hand but exceedingly difficult to read. The quills used in writing were obtained from the wings of crows, wild geese, and eagles. To keep them sharp and their strokes of uniform width required skill and great sensitivity in hand pressure. It would be difficult to imitate or approximate the fine details even with the special steel lettering pens of today. This vellum leaf was created in France., In early angular gothic script.]
Title
Aurora: fragment
Creator
Peter Riga, ca. 1140-1209
Summary
[Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics., Early gothic script., This famous paraphrase of the Bible in Latin verse was one of the most popular Latin books of poetry of the late 12th and 13th century. Petrus de Riga, who died in 1209, began it. Aegidius of Paris finished it. This version did not appear in printed form until a very late ate, despite its popularity. The format of this page, twice as long as it is wide, demonstrates the English custom of folding the skins lengthwise. The practice of setting off by a space the initial letter of each line also helps to give the page an unusual appearance. It is written in a very small script, six lines to an inch, in a hand characteristic of Northern France and England at this period. This vellum leaf was created in England.]
Title
Antiphonarium: fragment
Creator
Catholic Church
Summary
[Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics., In rotunda gothic script; Gregorian notation., The chanting of hymns during ecclesiastical rites goes back to the beginning of Christian services. Antiphonal or responsive singing is said to have been introduced in the second century by St. Ignatius of Antioch. According to legend, he had a vision of a heavenly choir singing in honor of the Blessed Trinity in the responsive manner. Many of the more than four hundred antiphons which have survived the centuries are elaborate in their musical structure. They were sung in the medieval church by the first cantor and his assistants. Candle grease stains reveal that this small-sized antiphonal was doubtless carried in processions in dimly lighted cathedrals. In this example the notation is written on the four-line red staff which was in general use by the end of the 12th century. The script is the usual form of Italian rotunda with bold Lombardic initial letters. This leaf was created in Italy.]
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