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REFINE
Browse All : American drama -- 20th century ;Theater -- United States -- History -- 20th century ;Theaters -- Stage setting and scenery
1-19 of 19
Title
Governor's Lady, The
Description
David Belasco's production of The Governor's Lady, 1912, showing the replica of Child's restaurant ; the play is primarily known as an example of Belasco's theatrical naturalism, because he recreated a Childs Restaurant on stage using materials and food from the actual restaurant chain rather than conventional representative stage scenery
Title
Street Scene
Description
Setting designed by Jo Mielziner. The action of the play takes place entirely on the front stoop of a New York City brownstone and in the adjacent street in the early part of the 20th century. It studies the complex daily lives of the people living in the building (and surrounding neighborhood) and the sense of despair that hovers over their interactions ; an actual house at 25 W. 65 Street was duplicated for this set
Creator.Persons
Rice, Elmer, 1892-1967
Title
Desire Under the Elms
Description
Part II scene 2 bedrooms, Greenwich Village Theatre, 1924
Creator.Persons
O'Neill, Eugene, 1888-1953
Title
Desire Under the Elms
Description
Robert Edmond Jones set design for the 1924 production of Desire Under the Elms
Creator.Persons
O'Neill, Eugene, 1888-1953
Title
Desire Under the Elms
Description
Part II scene 2 bedrooms, Greenwich Village Theatre, 1924
Creator.Persons
O'Neill, Eugene, 1888-1953
Title
Desire Under the Elms
Description
Part II scene 2 bedrooms, Greenwich Village Theatre, 1924
Creator.Persons
O'Neill, Eugene, 1888-1953
Title
Desire Under the Elms
Description
Robert Edmond Jones' set design. The Cabot Homestead
Creator.Persons
O'Neill, Eugene, 1888-1953
Title
They Shall Not Die: The Courtroom in Dexter
Description
Project by Gorelik ; How not to design a Naturalistic play: turn the setting into a mural on the themes of Justice. Use projected photos to show that a case is being tried in the streets of the U.S. as well as in the Dexter courtroom
Creator.Persons
Wexley, John, 1907-1985
Title
Death of a Salesman
Description
Jo Mielziner's setting for the original Broadway production which was produced by Kermit Bloomgarden and opened at the Morosco Theatre on February 10, 1949, closing on November 18, 1950, after 742 performances. It won the Tony Award for Best Play, Best Supporting or Featured Actor (Arthur Kennedy), Best Scenic Design (Jo Mielziner), Producer (Dramatic), Author (Arthur Miller), and Director (Elia Kazan), as well as the 1949 Pulitzer Prize for Drama and the New York Drama Critics' Circle Award for Best Play.
Creator.Persons
Miller, Arthur, 1915-2005
Title
Mourning Becomes Electra
Description
Robert Edmond Jones' set design for the Theatre Guild. Exterior of the Mannon House. Jones evoked the spirit of classicism with tall, white columns and broad steps but managed to convey by symmetry and darkness a sense of mystery behind the facade of the Mannon house
Creator.Persons
O'Neill, Eugene, 1888-1953
Title
Touch of the Poet, A
Description
Robert Edmond Jones' project. Dining Room of Melody's Tavern
Creator.Persons
O'Neill, Eugene, 1888-1953
Title
Swords
Description
Robert Edmond Jones' design for Pemberton's production. A Castle in Calabria
Creator.Persons
Howard, Sidney Coe, 1891-1939
Title
Iceman Cometh, The
Description
Robert Edmond Jones' set design for the Theatre Guild. The Back Room and a Section of the Bar at Harry Hope's
Creator.Persons
O'Neill, Eugene, 1888-1953
Title
Green Pastures, The
Description
Robert Edmond Jones' set design. Illustration for Part II, Scene IV, The Prayer of Moses. The play was the winner of the Pulitzer Prize for Drama in 1930. It portrays episodes from the Old Testament as seen through the eyes of a young African-American child in the Depression-era South, who interprets The Bible in terms familiar to her. Connelly set the biblical stories in New Orleans and in an all-black context.
Creator.Persons
Connelly, Marc, 1890-1980
Title
Green Pastures, The
Description
Robert Edmond Jones' set design. Illustration for Part II, Scene VII, The Vision of Hezdrel. The play was the winner of the Pulitzer Prize for Drama in 1930. It portrays episodes from the Old Testament as seen through the eyes of a young African-American child in the Depression-era South, who interprets The Bible in terms familiar to her. Connelly set the biblical stories in New Orleans and in an all-black context.
Creator.Persons
Connelly, Marc, 1890-1980
Title
Fountain, The
Description
Robert Edmond Jones' set design for MacGowan, Jones and O'Neill's production. Part II, Scene V, The Torture of Nano
Creator.Persons
O'Neill, Eugene, 1888-1953
Title
Death of a Salesman
Description
Jo Mielziner's setting for the original Broadway production which was produced by Kermit Bloomgarden and opened at the Morosco Theatre on February 10, 1949, closing on November 18, 1950, after 742 performances. It won the Tony Award for Best Play, Best Supporting or Featured Actor (Arthur Kennedy), Best Scenic Design (Jo Mielziner), Producer (Dramatic), Author (Arthur Miller), and Director (Elia Kazan), as well as the 1949 Pulitzer Prize for Drama and the New York Drama Critics' Circle Award for Best Play.
Creator.Persons
Miller, Arthur, 1915-2005
Title
Death of a Salesman
Description
Jo Mielziner's setting for the original Broadway production which was produced by Kermit Bloomgarden and opened at the Morosco Theatre on February 10, 1949, closing on November 18, 1950, after 742 performances. It won the Tony Award for Best Play, Best Supporting or Featured Actor (Arthur Kennedy), Best Scenic Design (Jo Mielziner), Producer (Dramatic), Author (Arthur Miller), and Director (Elia Kazan), as well as the 1949 Pulitzer Prize for Drama and the New York Drama Critics' Circle Award for Best Play.
Creator.Persons
Miller, Arthur, 1915-2005
Title
Green Pastures, The
Description
Robert Edmond Jones' set design. Illustration for Part I, Scene VIII, The Lord Shows Noah His Plan for Building the Ark. The play was the winner of the Pulitzer Prize for Drama in 1930. It portrays episodes from the Old Testament as seen through the eyes of a young African-American child in the Depression-era South, who interprets The Bible in terms familiar to her. Connelly set the biblical stories in New Orleans and in an all-black context.
Creator.Persons
Connelly, Marc, 1890-1980
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