COLLECTION NAME:
Glenn Korff School of Music Performances
Record
Type of Recital:
Ensemble Performance
Date of Performance:
11/30/2004
Performer/Instrument:
Jazz Ensemble I & II ;McGlynn, Brendan, director ;Harr, Dr. Paul, director
Composer/Title:
Brown/Fuller. Ray's idea ;Gershwin, George and Ira, 1893-1937, 1896-1983. . Someone to watch over me (arr. Mark Taylor) ;Snyder, Randall. Patterns ;Meyers, Roger. Menage a trois ;Wetzel, Ray. Intermission riff ;Ellington, Duke, 1899-1974. Jack the bear. Mood indigo. ;Hefti, Neal. The Kid from Red Bank ;Henderson, Fletcher, 1897-1952. Wrappin' it up (trans. David Berger) ;Troup, Bobby and Worth, Leah. Meaning of the blues (arr. Bill Mathieu) ;Harburg, E.Y. 'Yip', 1896-1981 and Duke, Vernon, 1903-1969. April in Paris
Track List:
Ensemble Performance
Original Format:
Cassette
Audio:
Streaming Audio
Notes:
Program available. The order on the program does not follow the order on the cassette tape. Jazz Ensemble I personnel: Craig Gant, Elizabeth Love, Preston Mesick, Sepncer Nielson, Tom Speers on saxophone. Andy Converse, Loralee Slough, Tyler Hottovy, Fred Scott, Paul Ahlemeyer on trombone. Jeff Richmond, Brendan McGlynn, Ben Keeler, Todd Rischling, Scott Dymacek on trumpet. Nelson Neves, Goerge Bryan, Sean Malone, David Hall, Ritchie Brown on rhythm. Jazz Ensemble II personnel: George Lyford, Alyssa Johnson, Stacy Hahn, Lacy Walsh, Joe Manglitz on Saxophone. Doug Hademan, Kevin Haines, Heath Gewecke, Josha Harris on trombone. Chris Kabes, Nathan Schulz, Beth Cheyney, Kurt Larson, Adam Janda on trumpet. Ben Koch, Amy Combs, Jarrett Portney on rhythm.
Copyright Information:
The Archival Collection of Performances from UNL's Glenn Korff School of Music consists of lawfully acquired and lawfully made recordings provided by the Music Library for the non-profit, educational use of UNL students, faculty, and staff and other persons granted permission to use the facilities of the University for educational purposes only. All performances are the copyright property of UNL. Non-commercial educational use of the recordings and images is permitted, but unauthorized copying, duplication, or redistribution beyond the standards of fair use is prohibited. Access to the searchable catalog record is open. Access to sound files is restricted to UNL students, faculty, staff and other persons granted permission to use the facilities of the University for educational purposes. The Archival Collection of Performances, its physical recordings and its digital audio, are an extension of traditional library services and are provided in a manner that respects fair use rights, the rights of copyright holders, and current copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Publication of the sound files of the Archival Recital Collection in any form, such as in dissertations, theses, and web pages is not permitted without the expressed written permission of the copyright holders. Papers written or projects completed in fulfillment of class assignments are not considered publications. Full source information for sound files used in class assignments should be acknowledged in footnotes, captions or bibliographies. For more information, see the Library of Congress documents on copyrights and fair use.
Repository:
Music Library, University of Nebraska-Lincoln Libraries
Collection Information:
Collection administered by the Music Library, University of Nebraska-Lincoln 402-472-6300
Collection:
Performances from UNL's Glenn Korff School of Music