The preface, written by Norman Fenton, mentions the artwork (in 'Ripley's ''Believe it or Not"-style) was done by a 'talented inmate'. Nine panels illustrate the transition from inmate to parolee and examine the relapse into criminality.
notes
The preface, written by Norman Fenton, mentions the artwork (in 'Ripley's ''Believe it or Not"-style) was done by a 'talented inmate'. Nine panels illustrate the transition from inmate to parolee and examine the relapse into criminality.
Notes
false